Art
Leila Ghaffari; Davoud Ranjbaran
Abstract
Mitsukuni Yoshida, a former professor and director of Kyoto University, is one of the Japanese researchers in the field of Persian Pottery studies who has traveled to various historical and archeological sites in Iran and also Hormoz Island in the 1960s. He has written his findings on the history and ...
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Mitsukuni Yoshida, a former professor and director of Kyoto University, is one of the Japanese researchers in the field of Persian Pottery studies who has traveled to various historical and archeological sites in Iran and also Hormoz Island in the 1960s. He has written his findings on the history and techniques of creating Persian Pottery in the form of a book entitled In Search of Persian Pottery. In this article, by reviewing the present book as a worthwhile source in the field of Persian Pottery History, the author's perception of the evolution of this ancient art and the type of his encounter with the category of stylistics Persian Pottery has been reviewed. On this basis, Yoshida's view was not only to describe his observations of Persian Pottery, but also to study the stylistics and works of Persian Pottery in terms of recognizing their cultural and linguistic origins. Considering his membership in the Japan Anthropological Institute, his treatment of the anthropological aspects of the art of Pottery in this work is not far off. Also, the role of cultural commonalities of the Oriental countries in shaping his attitude towards Pottery and Persian Pottery as an Oriental researcher is important.
Archaeology
Majid Montazer Zohori; Hossein Sedighian
Abstract
Pottery is one of the most prominent aspects of Islamic crafts which flourished in both production and decoration. According to the archaeological pieces of evidence the Kūbāchi wares have been spread from Khorasan to Tabriz and it ever-known centers of production were Isfahan, Kerman, Neyshabur, Mashhad ...
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Pottery is one of the most prominent aspects of Islamic crafts which flourished in both production and decoration. According to the archaeological pieces of evidence the Kūbāchi wares have been spread from Khorasan to Tabriz and it ever-known centers of production were Isfahan, Kerman, Neyshabur, Mashhad and Tabriz. The book of “The Pottery Known as Kūbāchi” is the newest and the possibility most prominent written source about this subject, which argues the archaeological aspects of these wares. This paper aims to introduce the book and review its structure and contents. The first step of review had been started with structural aspects and the process of the narration, and then the content. One of the strengths of this book is the concentration on the various archaeological aspects of this type of pottery. Besides, it can be mentioned that the book could be more attractive to the audience if the documentation and references were more precise. There are some other deficiencies in the typology and categorizing the potteries, those can be edited by the author.