.A Book Review of Music in Turkey: Experiencing Music, Expressing Culture

Sepehri, Hadi; Asadi, Houman

doi:10.30465/crtls.2020.5261

Document Type : Research

Authors

Hadi Sepehri ¹
Houman Asadi ²

¹ MA in Musicology (with the Focus on the Study of Music in Turkey and “Time in Music”, Music Department, Faculty of Performing Arts and Music, Fine Arts Campus, University of Tehran, Iran

² PhD in Research in Arts, Faculty Member of Music Department, Faculty of Performing Arts and Music, Fine Arts Campus, University of Tehran, Iran

https://doi.org/10.30465/crtls.2020.5261

Abstract

.
The book “Music in Turkey: Experiencing Music, Expressing Culture”, published in 2018, contains general information on the current life and culture of Turkish music with a focus on Istanbul. This book provides details on musical geography, music history, instruments, theoretical concepts of music, and twentieth-century musical developments, along with a chapter on the music recording and publishing industry. The author of the book in question has been able to express some of the most current topics in Turkish music culture in the book; he has covered almost all existing styles and related executive, educational, and publishing areas. As a result, the book is comprehensive, semi-specialized, and useful for anyone interested in the subject, especially for ethnomusicology students, providing an overview of contemporary Turkish music culture. After reading the book, problems with translation, including issues related to the correct pronunciation of Turkish idioms, correct spelling, and nouns in Persian, as well as the technical and musical issues, were noted in the text in detail.

Keywords

Main Subjects

References

بیتس، الیوت (1397)، موسیقی ترکیه: تجربة موسیقی، بازنمود فرهنگ، ترجمة لیلا رسولی، تهران: ماهور.

پورتراب، مصطفی ‌‌کمال (1374)، تئوری موسیقی، تهران: چشمه.

سپهری، هادی (1395)، «نظری به دسته‌بندی وزن‏ها در موسیقی موزون (متریک)»،موسیقیزنگار، ش 1.

سپهری، هادی (1396)، بررسی موسیقی عاشیقی در شمالِ‌‌ شرق ترکیه (کارْص): مسئلة تغییرات (7891-6102)، پایان‌‌نامة کارشناسی ارشد موسیقی، تهران: دانشگاه تهران.

سَوِیج، پاتریک ای. و استیون براون (1394)، «به‌سوی یک موسیقی‌شناسی تطبیقیِ جدید»، ترجمة لیلا رسولی، موسیقی ماهور، ش 67.

فاطمی، ساسان (1394)، «ریتم چندزمانه در موسیقی ایرانی ‏ـ عربی ‏ـ ترکی»، موسیقی ماهور، ش 67.

میثمی، سیدحسین (1389)، موسیقی عصر صفوی، تهران: فرهنگستان هنر.

نِتل، برونو (1382)، «تأثیر غرب بر موسیقی ملل»، ترجمة حمیدرضا ستّار، موسیقی ماهور، ش 19.

نیک‌آئین، بهرنگ (1395)، عاشیق و جایگاه فعلی او در توی‌‌‌هایزنجان:رابطة متقابل میان عاشیق، موسیقی و مخاطبانش، پایان‌‌‌نامة کارشناسی ارشد موسیقی، تهران: دانشگاه تهران.

نیک‌آئین، بهرنگ (1397‌الف): <http://anthropology.ir/article/31733.html>.

نیک‌آئین، بهرنگ (1397‌ب): <http://anthropology.ir/article/30785.html>.

هال، کالوین اسپرینگر (1391)، مقدمات روان‌‌شناسی فروید، ترجمة شهریار شهیدی، تهران: آیندة درخشان.

Ak, Ahmet Şahin (2014), Türk Musikisi Tarihi, Ankara: Akdağ.

Bahar, Cem (2008), Musıkiden Müziğe (Osmanlı-Türk Müziği: Gelenek Ve Modernlik), İstanbul: Yapı Kredi Yayınları.

Bahar, Cem (2015), Osmanlı-Türk Musıkisinin Kısa Tarihi, İstanbul: Yapı Kredi Yayınları.

Büyükyıldız, Zeki (2015), Türk Halk Müziği Ulusal Türk Müziği, Arı Sanat: İstanbul.

Demir, Sertan (2013), Türk Halk Müziğinde Türler, Usar Yayıncılık.

Hans, De Zeeuw (2011), »Evrim ve Standardizasyon Arasında Bağlama Ailesi«, İn Türkiye’de Müzik Kültürü, I.oğuz Elbaş (ed.), Ankara: Atatürk kültür merkezi.

Hengirmen, Mehmet (2006), Türkçe Temel Dilbilgisi, Ankara: Engin.

Hoppal, Mihaly (2014), Şamanlar Ve Semboller (Kaya Resmi Ve Gösterge Bilim), İstanbul: Yapı Kredi Yayınları.

<https://www.eliotbates.com>.

<http://www.notist.org/index.html>.

<http://www.turkishmusicportal.org/tr/turk-muzigi-sozlugu/v>.

<https://www.books.google.com/books/about/Critical_Approaches_to_the_Production_of.html?id=-kUkwQEACAAJ&source=kp_author_description>.

Karadeniz, Mehmet Ekrem (1982), Türk Musikisinin Nazarye Ve Esasları, İstanbul: Türkiye İş Bankası Kültür Yayınları.

McLean, Mervyn (1986), “Towards a Typology of Musical Change: Missionaries and Adjustive Response in Oceania”, the World of Music, vol. 28, no. 1, Mechanisms of Change.

Merriam, Alan. P (1977), “Definitions of ‘Comparative Musicology’ and ‘Ethnomusicology’: An Historical-Theoretical Perspective”, Ethnomusicology, vol. 21, no. 2.

Merriam-Webster's Geographical Dictionary (2001), ISBN 0 87779 546 0.

Nacakcı Zeki and Canbay Alaattin (2013), Müzik Kültürü, Ankara: Pegem.

Nettl, Bruno (2005), “A Harmless Drudge: Defining Ethnomusicology”, The Study of Ethnomusicology: Thirty-One Issues and Concepts, Urbana and Chicago: University of Illinois Press

Özkan, İsmail Hakkı (1984), Türk Musikisi Nazariyatı Ve Usulleri (Kudüm Velveleleri), İstanbul: Ötüken Neşriyat.

Reinhard, Kurt-Ursula. (2007), Türkiye'nin Müziği (Halk Müziği), 2cilt, Ankara: Sun Yayınevi.

Rice, Timothy (2014), Ethnomusicology: A Very Short Introduction, New York: Oxford University Press.

Sağ, Arif and Erdal Erzincan (2009), Bağlama Metodu (Bağlama Düzeni) Cilt 1-2, Pan Yayıncılık, İstanbul.

Şenel, Süleyman (2016):

<http://www.islamansiklopedisi.info/dia/pdf/c03/c030386.pdf>.

Tanrıkorur, Cinuçen (2011), Osmanlı Dönemi Türk Musikisi, İstanbul: Dergâh Yayınları.

Pizhuhish nāmah-i intiqādī-i mutūn va barnāmah hā-yi ̒ulūm-i insāni (Critical Studies in Texts & Programs of Human Sciences)

.A Book Review of Music in Turkey: Experiencing Music, Expressing Culture

References

References

Volume 20, Issue 2 - Serial Number 78
May 2020
Pages 151-167

.A Book Review of Music in Turkey: Experiencing Music, Expressing Culture

References

References

Volume 20, Issue 2 - Serial Number 78May 2020Pages 151-167

Volume 20, Issue 2 - Serial Number 78
May 2020
Pages 151-167