Arabic Language and Literature
Hadi Nazari Monazam
Volume 18, Issue 11 , January 2019, , Pages 183-202
Abstract
Comparative literature does not have the same and specific meaning. Actually, as a result of extensive alteration of meanings (eloquence) and development in the region of research, it can be said that nowadays just the mentality of accosting by literature and different cultures are dominant. Arab’s ...
Read More
Comparative literature does not have the same and specific meaning. Actually, as a result of extensive alteration of meanings (eloquence) and development in the region of research, it can be said that nowadays just the mentality of accosting by literature and different cultures are dominant. Arab’s researchers are increasing and their approaches are varied. As a matter of fact, they are interested in searching a specific identity for Arab’s comparative literature, an identity that does not have any dependence on west and its matters. However, talking about Arab’s comparative literature is still new. This paper makes an attempt to study Ahmad Abdolaziz’s book entitled Nahva Nazariyya Jadida Leladab Almogharan by using descriptive and analytical and comparative ways; it also aims to review the positive points, difficulties, and content issues. This book is published in two copies and the author invited the readers to a new comparative literature bravely. But, the result shows that his attempt is an approach between France classicism and American unbridle and free ideology.He refers to France theory in the comparative part, and it is not an exaggeration if he said we cannot find anyspecific book’s idea in the world of comparative literature as well as Arab comparative literature.
Arabic Language and Literature
Khalil parvini
Volume 15, Issue 34 , June 2015, , Pages 21-37
Abstract
Comparative literature as an emerging literary field has evolved in the late of nineteenth century and beginning of twentieth century and after the first appearance in France and other European and American countries is now considered as a known and developing field in the Arab countries. Abdolrazagh ...
Read More
Comparative literature as an emerging literary field has evolved in the late of nineteenth century and beginning of twentieth century and after the first appearance in France and other European and American countries is now considered as a known and developing field in the Arab countries. Abdolrazagh Hamideh, Ebrahim Salam and Najib AlAghighi each have authored books titled “Al Adab Al Mogharen” for the first time in the Arab world, but none of these books could define the principles of this field – which was the basis of the current French school principles of that time – and give a clear definition of which and present practical comparative examples based on the model until Mohammad Ganimi Helal could define the theoretical principles of the French school and laid the practical and theoretical foundation of the field in the Arab world by his famous book “Al Adab Al Mogharen”. After the fundamental change of attitudes toward the Comparative Literature in the Occident in the recent years, some figures also appeared in the Arab world that demanded change. Abde Aboode is one of such figures. With a new attitude toward the Comparative Literature based on modern criticism and other new approaches, he writes and teaches. The book “Al Adab Almogharen Afagha va Moshkelat” not only does not completely deny the Traditional French School but also sets of for new horizons to Comparative Literature to localize it which are unique in its own right; horizons like: the relation of Arabic literature and globalization, the relation of Arabic literature and the Oriental studies, Arabic language teaching and its relation with the aims of the Comparative Literature and issues like translation and literary reception theory etc. In this paper an effort is made to consider the new horizons in the Comparative Literature and analysis of literary reception theory (as one of the most important horizon) and also some shortcomings of the book about the content and the form are also discussed with a critical view.