Arabic Language and Literature
Morteza Zare Beromi
Abstract
The book “Resistance Literature” (1970) by Ghali Shokri is a critique of resistance in literary genres. The main subject of this book is about heroes in literary types. The literary works contained in this book are a collection of novels, myths, theaters and poems for the nations. The analysis ...
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The book “Resistance Literature” (1970) by Ghali Shokri is a critique of resistance in literary genres. The main subject of this book is about heroes in literary types. The literary works contained in this book are a collection of novels, myths, theaters and poems for the nations. The analysis of Resistance Literature is based on a descriptive and analytical approach. We also rely on critical and analytical methods in writing this paper. Structural evaluation for this book includes the following: Cover design, book title, index, language, page layout, references, footnotes, and index for information. And content evaluation is done according to the author’s analysis about hero and heroism in literary types. The research results indicate: Cover design, book title and index need to be reviewed, the language of the book is written smoothly, the book’s content is unbalanced between literature against nations, 64.66% of the book’s ability is devoted to Arabic literature and 35.34% to literature in other countries, the author is interested resistance literature in Egypt and France, more than other countries.
Art
Majid Sarsangi; Sadeq Rashidi; Farhad Amini
Abstract
The book of the Theatre in Safavid Period by Yaghoob Azhand is a work that historically mentions the theatrical performances common in the Safavid period and the origins and backgrounds of these practices, and is therefore of particular interest to historians. In this article, first, by briefly comparing ...
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The book of the Theatre in Safavid Period by Yaghoob Azhand is a work that historically mentions the theatrical performances common in the Safavid period and the origins and backgrounds of these practices, and is therefore of particular interest to historians. In this article, first, by briefly comparing this work with some other works published in the field of history of theater in Iran, we outline its place among these exegetical works and its distinguished aspects. In the following, while reviewing the method of segmenting the method of presenting this historiography and comparing it with the conventional methods of theater historiography, we have criticized this work as a work in the field of Iranian theater history. In the same way, using the theory of performance, some of the species mentioned in this work have been examined as executive types, and their strengths and weaknesses have been expressed. Finally, by examining the general approach of the work in relation to the historiography of the play, the work’s status is evaluated as an academic work.
Art
Sadeq Rashidi; Farhad Amini
Abstract
The purpose of writing this essay is the content critique and the form of the book of Drama and the Semiotics of Theater. The book is one of the most important books of the theater and drama analysis. This book focuses on the theoretical and methodological theories in the context of Structuralism semantic ...
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The purpose of writing this essay is the content critique and the form of the book of Drama and the Semiotics of Theater. The book is one of the most important books of the theater and drama analysis. This book focuses on the theoretical and methodological theories in the context of Structuralism semantic attitudes, and in this regard, the author sought to conceive concepts that somehow can be regarded as the main concepts and underlying themes of theater analysis. An analytical and applied methodology is presented to audiences who are interested in familiarizing themselves with the dynamic world of theater or seeking semantic methods for analyzing the theater. The main issue of this paper is the question of how the semiotics can analyze and interpret the theater and reveal the angles of understanding and comprehending the complexities of the world of theater and drama. The necessity and importance of a critical look at the book of semiotics of theater are for the more precise analysis, as well as the explanation of the mechanisms and functionalities of semiotic science in the analysis of dramatic texts. For this reason, showing the importance of the book of theater and drama semiotics is essential by revealing its analytical functions to guide the audiences and students who are concerned with theater semiotic analysis.
