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Foreign Languages
Text, Ego and “People” in Mohammad Taghi Ghiassi’s Interpretations

Maziar MOHAYMENI

Volume 18, Issue 3 , June 2018, , Pages 135-164

Abstract
  The Blind Owl of Hedayat, The Heavenly Kingdom of Bahram Sadeghi, poems of Sohrab Sepehri are Mohammad Taghi Ghiassi’s efforts to access some personal writing through an interpretation of these works which are fundamentally paradoxical. If the “second” character of interpretation ...  Read More