Arabic Language and Literature
Payman Salehi
Abstract
The great tendency of contemporary Arab fiction literature critics to new approaches of Western criticism, especially in the last decade of the twentieth century and concerns about the severance of their relationship with the old Arabic critique and the urgent need of Arab libraries for works on criticism ...
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The great tendency of contemporary Arab fiction literature critics to new approaches of Western criticism, especially in the last decade of the twentieth century and concerns about the severance of their relationship with the old Arabic critique and the urgent need of Arab libraries for works on criticism of critiques, made the Syrian Abu Heif to write the book “New Criticism of Story, Novel and Narrative in Arabic Literature”. This research examined Abu Heif’s criticism method based on two methods of reading the work and descriptive-analytical approach and has reached the following results: The way the eight chapters of the book are presented in a very eloquent pen, illustrates that it has had a pre-determined engineering and the content topics have a logical and acceptable sequence. The data and examples in this book are vast; and in fact, Abu Heif has turned his book into an encyclopedia. Despite the fact that Abu Heif did not consider specific criticism criteria to criticize other critique works, and this is one of the main drawbacks of the book, his analysis of different critique works has a very solid base and is convincing for the reader. Citing of almost 500 works by critics from different Arab countries could be a strong reason for his lack of prejudice in using critical evidence.
Persian Language and Literature
Seyed Mahdi Zarghani
Volume 18, Issue 2 , June 2018, , Pages 141-154
Abstract
For a while I wanted to write a note about the state of literary criticism in our beloved country, and I must thank Mr. Emmarati Moghaddam for providing me with the opportunity to do this by writing "Review and Critique of Muslim Philosophers' Poetic Treatises using Aristotle's Poetry Technique: Translation ...
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For a while I wanted to write a note about the state of literary criticism in our beloved country, and I must thank Mr. Emmarati Moghaddam for providing me with the opportunity to do this by writing "Review and Critique of Muslim Philosophers' Poetic Treatises using Aristotle's Poetry Technique: Translation in Times of Want". But first of all, let me say that this article is not a "response to the criticism of a young and talented scholar", rather a discussion of the "style of criticism" which has become popular in critical writing these days and seems to me to be detrimental to literary criticism; a way part of which is probably related to our generation, and as a teacher of that generation I hold myself responsible and partly to blame for that. Sometimes most critics are middle-aged, sometimes the work of critique is given to the elderly and sometimes younger critics are active. Each of these three situations has its own requirements, benefits, and drawbacks that can be addressed in turn. It seems that in the current situation there are more young, talented and aspiring critics who fortunately enter the field of criticism and theorizing one after another. This situation gives us a clear perspective on literary criticism, provided we are all careful neither to involve into "stagnation and compliment and complacency" nor to fall into the trap of "being uncritical." In the other hand, unlike the masters of the generation before us who often adopting a "strategy of silence" against the criticism of their work, found themselves practically as superior than critics or to be criticized, I think the time of so sacred self-concept and knowing ourselves superior to criticism is over, and by responding to criticism from critics, we can accomplish our task of advancing the process of criticism and possibly directing it. Our response to the criticisms written on our works is, first and foremost, the respect for criticism and, second, for the personality of critic, both of which are useful and have good results. I will try to address some of the objections raised in Mr. Emmarati Moghaddam's article, while criticizing the state of literary criticism in our country.