Art
Alireza Taheri; Roya Zarifian
Abstract
This article, which is a descriptive and analytical research and its qualitative data has been collected through the research method of libraries, has been organized with the aim of studying the stylistic developments of Iranian art after the Mongol invasion and while trying to review the book “Seven ...
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This article, which is a descriptive and analytical research and its qualitative data has been collected through the research method of libraries, has been organized with the aim of studying the stylistic developments of Iranian art after the Mongol invasion and while trying to review the book “Seven Decorative Principles of Iranian Art” written by Yaghoub Azhand and to answer the basic question why in Qazvin school of Safavid period, these themes are mentioned as seven principles of Iranian art? It seems that the drawing of these motifs to the position of the "Seven Principles" was done in line with the policies of Shah Tahmaseb and with the aim of limiting the power of the Ghezelbas. The findings show that in order to achieve this goal, first the royal workshop and library of Tabriz were dissolved as an influential centers and promoters of Ghezelbashi thought, and in the next step, the visual elements of Iranian painting were regulated in two main and sub-areas. Placing elements such as mobility, coloring, and composition in the field of Iranian painting subdivisions meant reducing the importance of the principles governing the Ghezelbashi method, and in contrast emphasizing the arrangement under the heading of the "Seven Principles of Iranian Art" while setting the policy. The nascent Qazvin school in a different direction from Tabriz II school, gave it special credit.
Foreign Languages
Mohammad Hossein Ramadan Kiaei; Zohreh Montasseri
Volume 18, Issue 8 , December 2018, , Pages 125-145
Abstract
Aldo Palazzeschi, with the pen name of Aldo Giurlani, is a celebrated 20th-century Italian poet and novelist. In the early years of the twentieth century, Palazzeschi, following some of the Western theories of thought such as that of Nietzsche's, has created unique works in modern Italian literature, ...
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Aldo Palazzeschi, with the pen name of Aldo Giurlani, is a celebrated 20th-century Italian poet and novelist. In the early years of the twentieth century, Palazzeschi, following some of the Western theories of thought such as that of Nietzsche's, has created unique works in modern Italian literature, and that is why his poems and novels have significant innovations. Undoubtedly, the author's early literary activities were influenced by his close relationships with artists, especially painters of his time. The traces of theater art can also be clearly seen in the works of the author's youth years. The present study attempts to study the literary works of Aldo Palazzeschi from the viewpoint of contemporary Italian literary critics such as Sanguinetti, Ungaretti, etc., and also attempts to examine the influence of Crepuscolarismo principles on Palazzeschi's attitudes and works of his youth years on the one hand, as well as, to study the influence of Futurism's theories on his other works, on the other hand.
