Art
Mohammadjavad Goharbakhsh; Shahab Esfandiari; Pedram Rostami
Abstract
"Transcendental Style in Cinema, Ozu, Bresson, Dreyer" by Paul Schrader, the famous American critic, writer, and director, is one of the few books that explores the relationship between cinema, religion, and related elements beyond various fields such as Semiotics. This book was translated in 2003 by ...
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"Transcendental Style in Cinema, Ozu, Bresson, Dreyer" by Paul Schrader, the famous American critic, writer, and director, is one of the few books that explores the relationship between cinema, religion, and related elements beyond various fields such as Semiotics. This book was translated in 2003 by Mohammad Gozarabadi in Iran. The second edition of the book that was published in 2018 included the introduction of slow cinema and Schrader's revision of some of the concepts of this style. The importance of this book could be seen in the method of studying and confronting religion and its elements. Using profound philosophical concepts and Christian background, Schrader establishes stylistic stages in which the most important movies could be read and analyzed through them. This style aims to discover the state in which the transcendental and spiritual manner is expressed in cinema. Therefore, firstly the book and the author are introduced and then by considering both editions, all the concepts in the book are discussed and finally the book is criticized from different aspects. The results will demonstrate that the main criticisms on this book can be seen in the levels of method and content.
Art
Hamid Sadeghian; , Gity Nooreddinnejad
Abstract
Media and artistic animation is a combination of other elements of the arts. This feature, in addition to the possibility of creating a fantasy universe, has a special charm that can address all age groups. In this regard, the necessity of publishing scientific and educational texts and adapting them ...
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Media and artistic animation is a combination of other elements of the arts. This feature, in addition to the possibility of creating a fantasy universe, has a special charm that can address all age groups. In this regard, the necessity of publishing scientific and educational texts and adapting them to the latest findings, in view of the ever-increasing development of production methods, doubles the importance of this investigation. In this regard, the issue of the elements of attractiveness in the animation cinema is necessary, useful, and valuable. Despite its drawbacks, this work is one of the sources of Farsi help for students and animation enthusiasts. However, by studying the configuration of the topics and the content of the book, it can be noted that the correction is effective in advancing the goals and strengthening the content. These include lack of light unity in the structure of the content, lack of clarity in the presentation of the content for a particular or general audience, lack of attention to the impact of contemporary achievements, the need for appropriate images for the completion and explanation of the topics and the lack of proper communication between some The images presented with the text have been criticized in various ways. This paper, after introducing some points, reviews the content of the book and analyzes the contents of the book.
