نوع مقاله : پژوهشی

نویسنده

استادیار دانشکدۀ علوم نظری و مطالعات عالی هنر، گروه پژوهش هنر، عضو هیئت علمی دانشگاه هنر، تهران، ایران

چکیده

مطالعات منطقه‌ای هنر مدرن و معاصر در سرزمین‌های اسلامی طی دو دهۀ گذشته توسعه یافته است. در این مقاله، به مهم‌ترین کتاب‌ها در این حوزۀ مطالعاتی پرداخته شده و این پرسش دنبال شده است که چه روش‌ها و رویکردهایی در مطالعات منطقه‌ای هنر مدرن و معاصر سرزمین‌های اسلامی در پیش گرفته شده است؟ منابع در پنج دسته بررسی شدند: اول کتاب‌هایی که هنر این منطقه را زیر مفهوم «هنر اسلامی مدرن» مطالعه کرده‌اند، دوم کتاب‌هایی که هنر منطقه را زیر عنوان «هنر خاورمیانه» مطالعه می‌کنند، سوم کتاب‌هایی که هنر اسلامی را زیر عنوان «هنر عرب» دنبال کرده‌اند، چهارم منابعی که به «هنر در مرزهای ملی» پرداخته‌اند و بر روایت ایرانی، عربی، و ترکی تأکید کرده‌اند، و پنجم کتاب‌هایی که زیر عنوان‌های کلی‌تر هم‌چون «فرهنگ بصری اسلامی» به هنر مدرن در سرزمین‌های اسلامی پرداخته‌اند. بررسی منابع نتایج زیر را به‌دست آورد: اول، معرفی مهم‌ترین کتاب‌ها و پژوهش‌گران در مطالعات هنر مدرن کشورهای اسلامی؛ دوم، مطالعۀ تطبیقی رویکردها و روش‌ها در مطالعات منطقه‌ای هنر اسلامی مدرن؛ سوم، تأکید بر چشم‌انداز فراملی‌گرا در مطالعات منطقه‌ای، چراکه مطالعۀ هنر اسلامی مستلزم فرارفتن از روایت‌های ملی‌گرایانه از هنر در کشورهای اسلامی است؛ چهارم، تأکید بر جنبه‌های کم‌ترپرداخته‌شده در روش‌ها و مطالعات‌ انجام‌شده دربارۀ هنر مدرن و معاصر کشورهای اسلامی.

کلیدواژه‌ها

موضوعات

عنوان مقاله [English]

Critical Evaluation of the Sources in Regional Studies of the Modern and Contemporary Art in the Islamic World

نویسنده [English]

  • Mohammadreza Moridi

Assistant Professor, Faculty Member in Art University, Tehran, Iran

چکیده [English]

In this article, the most important books on modern and contemporary art in Islamic lands were examined; these studies were divided into five categories: first, the books that studied the art of this region under the concept of “modern / contemporary Islamic art”, second, the books that studied under the title of “Middle Eastern Art”. Third, books that have followed Islamic art under the title “Arab Art”. Fourth, books that studied the Islamic art under nationalist narratives such as Iran, Arab, or Turkey art, and fifth, books under more general headings such as “Islamic Visual Culture” or Image Policy in Islamic Countries have been studied. Examining these resources is for three reasons: First, it enables researchers to compare approaches and methods in regional studies of Islamic art. Second, unfortunately, in Iran, there is not enough knowledge of the art of neighbors and other Islamic countries; therefore, reviewing the sources of regional art studies enables researchers to get acquainted with the most important sources and researchers in regional studies of art in Islamic countries. Third, by critically evaluating sixty important books in the study of modern and contemporary art in Islamic lands, we do emphasize the aspects that studies less than other aspects in this field were studied, and show the contribution of Iranian researchers in the regional studies of Islamic art.
 
 

کلیدواژه‌ها [English]

  • Regional Studies
  • Islamic Art
  • Modern Islamic Art
  • Arab Art
  • Middle East Art
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